Agricultural Biodiversity Weblog
Agrobiodiversity is crops, livestock, foodways, microbes, pollinators, wild relatives …
Collecting all the native species in the United States, as well as developing restoration techniques and growing huge amounts of seed will take about 10 years and cost about $500 million, Dr. Havens said — a cost that she argues is well worth it.
That will include a nice batch of crop wild relatives… Incidentally, that $500 million is about twice the value of the endowment that is sometimes mentioned as being necessary to ensure long-term ex situ conservation of crop diversity.
Our friend Ehsan Dulloo of Bioversity International is the frontman for a project that has just been selected as one of the winners of this year’s Development Marketplace awards.
A DM grant will enable Biodiversity International to protect the livelihoods of some 200 vulnerable women farmers, by providing access to seeds for locally-adapted varieties of crops. The project draws from gene banks, indigenous knowledge and farmer know-how, as well as traditional ways of adapting to climate variability.
There are several other agrobiodiversity projects among the winners. For example, “Peru’s Associación ANDES will support plant-breeding to increase diversity and production of nutritious potatoes and other tubers, improving health, incomes and quality of life for the community’s people.” And in the Philippines the “Trowel Development Foundation will replant mangroves and set up a value-chain system to fatten and market tie-crabs.” Well worth exploring the whole list. Congratulations to all.
“Use it or lose it” is a frequent refrain among those who want to conserve genetic resources. We strive to point out that nothing is ever useless, we just haven’t discovered the uses yet. Sometimes, though, the use is well-known. Brewers, especially the more traditional types, often swear by specific varieties of their raw material. Golden Promise, a famous malting barley, is spoken of fondly by bearded men in sandals clutching a pint of warm cloudy brew. So I shouldn’t be surprised that the same is true of Nihonshu (日本酒). A long article at The Japan Times explains how sake makers are increasingly trying to use traditional old rice varieties.
Wataribune was used in 1939 to develop the now-dominant Yamada Nishiki strain. It had been widely used in sake making for centuries but fell into near-extinction around 50 years ago. Though it was rumored to yield brews of great depth and complexity, it was notoriously difficult to grow. The plant’s tall stalks made it vulnerable to typhoons, while its long growing season exacerbated the risks. [Takaaki] Yamauchi proposed an initiative to revive the strain, but few farmers were willing to gamble on such an uncertain enterprise.
The article goes on to describe how the master brewer eventually found 14 grams of Wataribune rice in the genebank at the National Agricultural Institute in Tsukuba, and parlayed that into a range of award-winning sakes. The photo, by article author Melinda Joe, shows how easily Wataribune rice grains fall from the ears of the stalk, making it a challenging rice strain to work with. There’s a lot more in the article, about rice varieties in sake and about ordinary Japanese people who are spearheading a movement towards more regional diversity in rice, including groups that reclaim and regenerate abandoned rice paddies.
Originally published on 20 October, updated 29 October (at the end).
I was very privileged to be invited to judge entries in the 6th annual audiovisual festival of biodiversity, organized by Crocevia, an Italian NGO. My own personal favourite was a Dutch film called Eeuwige moes. As I said in my comments, the film “was beautifully photographed and lit, and conveyed not only the beauty of agricultural biodiversity, but also the passion with which some people approach its conservation. At its heart, the film was a mystery that remained unsolved, and that made it very thought-provoking”.
Don’t just take my word for it, though. Take a look at this clip.
The bigger mystery, however, is the film’s title. The director translates it as “Eternal Mash”. But that doesn’t really mean anything in English. After the judging I spoke to Daniel, a young Dutch film-maker who helped organize the festival as a volunteer. I explained my difficulties, and he explained that moes had something of the connotation of the huge diversity and range of plants that grew. I didn’t really get it. But I did wonder about possible connections between a moes and a mess (of pottage).
The problem surfaced again today, and I did a little asking around, although no answers have arrived yet. I also did some additional Googling, and came up with this:
Eeuwige Moes, ook wel splijtkool, splijtmoes of stekkool genoemd, is een type kool (Brassica oleracea var ramosa) dat sinds lange tijd in Limburg wordt geteeld.
My Dutch isn’t brilliant, but my vegetal Latin is just dandy, and it seems to me that this is talking about a perpetual kale. In fact, “eeuwige moes, also known as split cabbage (?), split mash (?) or cutting cabbage, is a type of cabbage (Brassica oleracea var ramosa) has long been grown in Limburg”. Reading on, I gather that it is ready for eating very early in the year, and that the leaves are made often into a purée (moes sometimes translates (mechanically) as purée.)
Now, I feel, we’re getting somewhere. Not very far, but somewhere. If eeuwige moes really is the name of an old traditional crop plant, rather like, say, Hungry Gap kale then perhaps using it as the title of the film conveys layers of meaning that cannot begin to be captured by Endless Mash. If so, what the film-makers — and the rest of us — desperately need is someone who both understands Dutch and, perhaps more importantly, the nature of the passion for saving seeds and diversity that is the core of the film. They should watch the film and then we might be able to have a discussion about what it ought to be called in English. A simple translation clearly won’t do.
Later … After lots of useful input, not all of it in the comments, I’m convinced that Moes does indeed carry a significant freight baggage. And I believe that the kinds of ideas the Dutch title conveys might be better conveyed by something like “Eternal Leaf”. Let English-speaking viewers make the connection between Leaf and Life themselves. Anyway, it’s just a thought.