Japanese agrobiodiversity art

Adam at Mutantfrog Travelogue, which seems to be a blog about things Japanese, has a post about a craft called Mizuhiki (水引). This involves the decorative use of twine made from a special kind of traditionally-produced paper called Washi or Wagami (和紙). Washi is made from all kinds of different agrobiodiversity:

Washi is commonly made using fibers from the bark of the gampi tree, the mitsumata shrub (Edgeworthia papyrifera), or the paper mulberry, but also can be made using bamboo, hemp, rice, and wheat.

That “gampi tree” gave me a bit of trouble, but I finally ran it to ground. It seems to be Wikstroemia sikokiana in the Thymelaeaceae. The paper looks beautiful. Anyway, in researching all this I came across a little gem:

In 1869 the then Prime Minister, William Gladstone, requested a report on Japanese paper and papermaking from the British Embassy in Japan. A thorough investigation was carried out by Sir Harry Parkes and his team of consular staff in different Japanese towns, resulting in the publication of a government report, “Reports on the manufacture of paper in Japan“, and the formation of a collection of 400+ sheets of handmade paper. The main parts of this collection are now housed in the Paper Conservation Laboratory of the Victoria and Albert Museum, and the Economic Botany Collection of the Royal Botanic Gardens, Kew. In 1879 Kew sent duplicate samples to Glasgow, Sydney, Melbourne and Adelaide, but these have been lost. The Parkes paper collection is important because the origin, price, manufacturing method and function of each paper was precisely documented.

Something to check out the next time I’m in London.

Nibbles: Camel, Maya forestry, Ancient barley, Cattle diversity, Poisons, Agroforestry Congress, Lactase persistence

Agricultural biodiversity and its perception, then and now

Hanging around the library today, I happened to pick up the March 2009 issue of Economic Botany, and was rewarded with a couple of really interesting papers on people’s perceptions of agrobiodiversity, and how it can be different to what you might think.

The first paper looked at knowledge of apple diversity among cider-makers in the United Kingdom and the United States. ((David Reedy, Will McClatchey, Clifford Smith, Y. Lau & K. Bridges (2009) A Mouthful of Diversity: Knowledge of Cider Apple Cultivars in the United Kingdom and Northwest United States. Economic Botany 63(1):2-15.)) The working hypothesis was that cider makers with a long history in the business would know more apple variety names that comparative neophytes. The results of semi-structured interviews with about 30 informants in Washington State, England, Wales and Northern Ireland suggested that this was not in fact the case. Experienced cider makers do indeed know more apple varieties, but not necessarily by name. They keep track of diversity in other ways, by taste, smell and ecology. The art of cider making lies in the blending, so the maker needs to know what each apple tastes like, on its own and in combination.

Cider makers who have a sense of rootedness to their land often know intricate details about trees in their orchards. They may know the rate at which they bloom, which trees do better in which conditions, or what the sugar levels of fruits will be on a given year. With all this knowledge, why would names have significance?

This would seem to contradict the findings of other studies which suggested that there’s a high degree of correspondence between number of local names and genetic diversity. Names might be lost, but the knowledge of diversity — and, at least for now, the diversity itself — is still there.

The second paper looks at how diversity in grapevines was perceived in the past. ((P. Gago, J. L. Santiago, S. Boso, V. Alonso-Villaverde & M. C. Martinez (2009) Grapevine (Vitis vinifera L.): Old Varieties are Reflected in Works of Art. Economic Botany 63(1):67-77. 10.1007/s12231-008-9059-y.)) Its subject is the Baroque altarpieces in Galicia, and in particular the twisted columns known as Solomonic. These often feature grapevine leaves, and the authors measured various morphometric variables on these representations, as well as on the real leaves of numerous varieties maintained in a local genebank. You know the kind of thing. The angle between this and that vein. The depth of the nth lobe.

They found that the representations were often very faithful, and could be used to identify specific local varieties. With a more extensive dataset (that is, more characters, and more altarpieces), it might be possible to reconstruct the history of cultivation of various now rare or extinct local cultivars. Another example of the imaginative sources of data people are looking at to get a handle on genetic erosion.

The road to Pusa Campus

For years I’ve been seeing it in writing: NBPGR, Pusa Campus, New Delhi. But the picture of it I had in my mind turned out to be quite different to the reality. The Indian Agricultural Research Institute’s Pusa Campus comprises offices, labs and staff housing, yes, but also a huge area of agricultural fields, and right in the middle of New Delhi: a rural oasis in the teeming city (clicking on the map below will take you to Google Maps).

pusa-campus1

It all started in 1934, when the Imperial Agricultural Research Institute, established in 1905 at Pusa in Bihar, was moved to Delhi following an earthquake. Hence Pusa Campus. The institute of course became the Indian Agricultural Research Institute on independence, just like its parent body, the Imperial Council of Agricultural Research, became the Indian Council of Agricultural Research (ICAR). But many of the buildings are still used. Such as the library.
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