Baroque painting celebrates agrobiodiversity

I did not expect much agrobiodiversity in the Victoria & Albert’s exhibition on the baroque. But I found some anyway, in the mid-17th century Flemish oil painting Flower Garland with the Holy Sacrament and an Angel’s Head, possibly by Daniel Seghers (1590-1661). It’s reproduced below, but you can consult a better image on Flickr.

maize

It looks to me that what I’ve marked are maize cobs, although the one on the right could, I suppose, be sorghum. If they are maize, it is interesting that they seem to show three distinct varieties. There’s variation in the other cereals too. I guess it goes with the general exuberance of the baroque. But what’s with those peduncles?

Nibbles: Asparagus, Eels, ICT, Dingoes, Phoenix dactylifera, Apples, Bear-pit

Nibbles: Sheep, Yams, Satellites, Payment for ecosystem services, Museum

In praise of Granny Smith

Our regular readers ((And indeed Danny’s at Rurality.)) will know that there’s been a regular deluge — windfall? — of apple stories in the past few months, in particular about the imminent demise of the British orchard. The latest surfaced today. In such stories, aspersions are often cast on the qualities of such commercial favourites as the Granny Smith. ((Thanks to Dr Nelson for getting me onto this kick today, and also for a nice website about apples.)) I guess the unspoken implication is that this and similarly successful varieties are the evil spawn of some sinister multinational, and probably contain, to boot, genes cruelly extracted from some Arctic fish without its prior or informed consent and unnaturally inserted into the pristine apple genome by soulless pointy-headed boffins with Nazi sympathies.

Nothing could be further from the truth, it turns out, at least in the case of the Granny Smith, which was, in fact, spotted as a seedling and first grown by Maria Ann Smith on her farm in Ryde, New South Wales around 1868. ((As a short article in FreshPlaza alerted me, also today.)) It started life as the kind of backyard variety that would later become known as a heirloom. So, I ask myself, what obscure pome, currently languishing in some forgotten British orchard, soon to be rescued by the imminent influx of National Trust money, will eventually knock old Granny from her pedestal? And when will we be complaining about that one?