Crop national parks?

A new publication by WWF and some friends at the University of Birmingham 1 makes the case for using protected areas, in particular in the centres of origin, to conserve genetic diversity in crops and their wild relatives:

Many of these centres have only five per cent protection, some have only one per cent or less. They include: the Central Andean wet puna of Peru and Bolivia, well known as reservoirs of grains and root crops including the potato; the Eastern Anatolian deciduous forests and steppe of Iran, Turkey and Armenia, centres of diversity for many grains and fruit species; the Southern Korea evergreen forests important for their genetic resources of tea; and the Malaysian rainforests which are centres of diversity for many tropical fruit species, particularly mangoes.

“Sensually mapping the world”

An article by Andrew Jefford over at the Financial Times’ Food and Drink section dissects the concept of “appellations d’origine controlée.” This refers to a system which provides legal protection for a name of an agricultural product made in a particular way in a particular place. Thus, champagne is not just any old sparkling wine, but, “wine produced by a special method, from pinot noir, pinot meunier and chardonnay grapes grown in a circumscribed region of France lying east of Paris.”

The article is a great read. Here’s a longer sample, to give you the — as it were — flavour:

Thanks to the efforts of some 250 local growers with 9,000 ha of meadows irrigated by the river Durance via an intricate series of canals in place since the late 17th century, even hay from the stony Crau plain achieved certification, in 1997, to protect and expand the reputation of this uniquely sweet, nutritious animal feed; only these growers have the right to tie their bales with a distinctive red and white twine. The hay is cut three times every summer, the first cut being ideal for horses and beef cattle, the second cut for dairy cattle and milking ewes, and the third for sheep and goats… Appellations are a way of sensually mapping the world.

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