I just heard a programme on the BBC World Service in the One Planet series called “Nuts.” It looked at the problems encountered in developing the Brazil nut as a source of income for poor Amazonian farmers. Unfortunately, it appears that some very tight – some would say unreasonably tight – EU regulations about levels of aflavotoxins are preventing exports. There’s part two next week. The website for the One Planet series is here, but this particular programme does not seem to be online yet. I’ll keep looking out for it. Coincidentally, WWF also has a long piece on the Brazil nut out today, which you can find here. International Trade Forum had a piece on Brazil nuts here in 2004.
Project Baseline
The work at UV Irvine summarized here on the genetic effects of climate change on different kinds of plants is interesting enough. But what particularly intrigued me was the reference to a Project Baseline, “a national effort to collect and preserve seeds from contemporary plant populations.” Unfortunately I was not able to find anything more about this on the internet. Anyway, sounds like they need something similar in Armenia.
Açaí plantations?
The juice and pulp of the fruits of the Amazonian palm Euterpe oleracea (açaí) have long been consumed locally but are increasingly used in juices and nutraceutical beverages aimed at the North American market. They are harvested from the wild, but some people are now thinking plantations too. But speaking of wild harvesting of fruits/nuts, this article suggests that this can be sustainable only where it is not accompanied by hunting of key seed dispersers.
Woodlands as players in human history
The great Cambridge botanist Oliver Rackham has a new book out, called “Woodlands.” Insofar as it is fair to say that the life work of such a Renaissance Man has only one subject, woodlands is it, and how trees are not “merely part of the theatre of landscape in which human history is played out, or the passive recipients of whatever destiny humanity foists on them . . . (they are) actors in the play.†There’s an admiring and knowledgeable review here.