Selling touselle

In 1482, in the month of December, King Louis XI was taken ill at Tours, and had Touzelle [wheat] brought from the diocese of Nismes, so that bread could be made for him. The prince, extremely weak in mind and body, and struck with the fear of death beyond all expression, believed that of all the corners of his kingdom, the diocese of Nismes produced the wheat most likely to bring him to health.

That’s Léon Ménard in his Histoire de Nîmes of 1755. The passage is quoted in a short post in what alas seems now to be a dormant blog about artisanal breadmaking. I got there because I was intrigued by this statement in a box in a GRAIN article by Hélène Zaharia (of Réseau Semences Paysannes) called Bread of life. ((This is a companion piece to breadmaker Andrew Whitley’s The bread we eat, published in 2007.))

Henri is an organic farmer in the south of France. In 1997 he was carrying out research into farming practice in the Gare ((Is this a misprint? I think it should read “Gard.”)) region when he discovered Touselle wheat. It is an early wheat, without whiskers, with a soft grain, very suitable for bread-making. It was once cultivated quite widely in Languedoc and Provence and was appreciated for its good yields, even when it was grown on poor soil in a difficult, dry environment. But by the time Henri became interested in it, it had been widely abandoned in favour of modern varieties.

Henri decided to try it out for himself and obtained a few seeds of four of the 13 varieties of Touselle held in the Department of Genetic Resources at INRA in Clermont-Ferrand.

It turns out that “Henri” (for some reason, no surname is provided in the GRAIN article) is Henri Ferté, and what intrigued me particularly about this passage is that he is a farmer who obtained germplasm directly from a genebank, in this case the Conservatoire de Ressources Génétiques, INRA Clermont-Ferrand. ((“[L]’une des premières collections européennes.”)) This doesn’t happen as much as it could, or should. Or at least I don’t know of that many examples. Henri knew about the genebank because he has “un diplôme d’agro en poche,” as Zaharia says in another, more recent, article (which I cannot find online, but is entitled “Gard: La relance des blés méditerranéens.”). How do less academically qualified farmers find out about what’s in genebanks? It would be great to do a review of such direct use of national genebanks, and why there isn’t more of it. Maybe there is one out there already? Not all users are breeders — we sometimes forget that.

Anyway, Henri seems to have been fairly successful in bringing back touselle, King Louis XI’s miraculous wheat. This was apparently still around — in a number of distinct forms — at the end of the 19th century, but later largely disappeared: “…by 2004 Touselle was being grown experimentally on a fairly large number of peasant farms in the south of France.” A Union for the Promotion of Touselle was established in 2005. It doesn’t look to me like their website has been very active in the intervening years, but that’s no doubt because niche wheat farmers in the south of France have better things to do than mess around on the internet.

The Glass Orchard

Driving from Ames to Des Moines last week, my friend Tom told me about Harvard’s Glass Flowers — more officially the Ware Collection of Blaschka Glass Models of Plants. It’s a fascinating story. They

…are a set of approximately 3,000 life-size models of plants made out of glass, with occasional bits of wire, paint, and glue. The collection is owed by Harvard University, where the models are on display in the Harvard Museum of Natural History. George Lincoln Goodale, the first director of the Harvard Botanical Museum, commissioned the models in 1886 from Leopold and Rudolph Blaschka, a father and son team of glassmakers based in Hosterwitz, near Dresden. The Blaschkas produced the models over 50 years, Leopold until his death in 1895 and Rudolph until his retirement at age 79 in 1936.

They’re not just beautiful, they’re supposed to be useful too, aids to the study of tropical botany in particular.

There are many fruits and fibers in the collection, Rossi-Wilcox explained, ((Susan Rossi-Wilcox is a curatorial associate at the Botanical Museum.)) as well as other “useful” plants. “The Botanical Museum’s whole mission is ‘economic botany.’ Cotton, silk, the food we eat … We’re this odd little sister of taxonomy. The point of making this collection was to make people understand plants that were common in their lives.”

Some of the latest — and the best — of the Blaschka models are the series Rudolf made on the diseases of fruit trees. The “rotten fruit” series, Rossi-Wilcox affectionately called them. “They are the most spectacular models he made,” she said. “They’re animated, realistic. The cut sections don’t have the mealiness of real disease, but as fruit, he’s got it — all the little weirdnesses of the colors. Anyone who has fruit trees has seen these things.

I can’t find a full list of the “164 plant families, totaling 847 species and plant varieties” represented by the models. But I have found photographs of Musa paradisiaca, Prunus armeniaca and Gossypium herbaceum. And there is also an Emperor Alexander Apple “affected by apple scab disease”. So agrobiodiversity seems to be well represented.

Nibbles: Pluots, Village chickens, Axolotl, Artisanal fishing, Fruit and climate change, Stamps, Hornless cattle, Artemisin for malaria, Aquatic agroecosystems characterization, Speciation and ploidy

Nibbles: Gardening, Maple syrup, Farming and conservation, Late blight, Urban guerrilla, Bizarre produce, Russian food, Aquaculture, Heirloom apples, Turkish medicinal plants, Bee-eating hornets

Nibbles: Seed travels, Carotenoids in cucumbers, Tea and hibiscus, Sea level rise, Tewolde on climate change, SPGRC